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Thursday, 05 November 2009

  • Currently
    Glee: The Music, Volume 1
    By Glee Cast
    1: Don't Stop Believin' (Glee Cast Version)
    see related

    my brother, my very own Ari Gold

    2:23 PM Daniel: i thought about your career
    and i decided something for you
     me: oh yeah? everybody's getting laid off this month
     Daniel: u should write
      TV pilots
    2:24 PM tv dramas are always just about characters
      just write dialogue
      thats it
      i was reading about josh shwartz
      and he was at USC
      as an undergrad
      and he wrote a script for a class
      and it won an award
      and he wrote a pilot
      and sent it out
      and it got bought
      for like 500,000
      and he wrote another one
     me: did it get turned into the oc?!
     Daniel: and it got bought too
      no
    2:25 PM they got turned into nothing!
      they were just pilots!
      and he made a million dollars just by that
     all u have to do is write about the characters
      like what they are like
      and write one episode
      and it gets bought!
      thats crazy!
      and then he wrote the OC
      and it doesnt even seem like anything!
     its very cliched and derivative
      i feel like i could have wrote the OC
     me: yeah but you liked it, right?
     Daniel: he wrote it in college rebecca
    2:26 PM stop procrastinating
      and then he wrote gossip girl
     its about nothing!
     me: yeah but it's so awesome for some reason
     Daniel: u dont even need to know about anything
      like to write a medical show u need to know medical stuff
      or historical fiction u gotta research that
      or sci-fi
     me: yeah, procedurals are so boring
     Daniel: gotta research
      but this
      u just write about stuff!!
      its easy!
      u have to do it
    2:27 PM like pilots get made all the time
      and they dont get picked up
      u get paid no matter what
    2:28 PM they buy the script from u
      and u get paid
      doesnt matter if its successful or nto
      and if it is successful
      then they want more scripts from u!
      and u get paid to read other scripts
      and to rewrite them
      or doctor them
     me: ahhhhh that would be my dream job
      i would actually rather write for tv than movies
     Daniel: kevin smith got paid like 5 million to revise the superman script
      and that was back when he was a nobody
      after he did chasing amy
     me: okay i would TOTALLY take that
     Daniel: and they never even used his script
    2:29 PM me: 5 million, really? that's a ridiculous amount
     Daniel: nicholas cage got paid 20 million for that movie
      and it never got made
      so did tim burton
      for superman lives
      it was pay or play or something
     me: oh yeah, thank goodness that didn't get maid
     Daniel: they get paid regardless of if the movie got made
     me: made, yikes
    2:32 PM Daniel: yea i was thinking
      wow ur a dummy
      anyways
      seriously rebecca
      write pilots
     me: agh you're right
     Daniel: u can do one about all your ideas
      i know u have so many
      asian high school student
      dealing with the pressures of the model minority
     coming out of her shell
      boys
      drugs
      drinking
     me: hahaha, no one wants that stuff
     Daniel: the pressures of that
     me: SOOOOO cliche
     Daniel: and with the pressures of family obligations
    2:33 PM how to balance both
      rebecca
      its cliche
     but
      i bet it sells a pilot!
      its like my so called life
     me: i would rather write felicity! i've never seen my so called life
      actually i realized that i kind of want to be jj abrams
     Daniel: they made all-american girl
      it got picked up
     me: he went from felicity to alias to lost to STAR TREK
     Daniel: rebecca u arent jj abrams
      no
    2:34 PM me: i'm no margaret cho!
     Daniel: NO
      do you see the trash that gets picked up on tv?
      i mean
     me: yeah, a lot of it sucks
      like smallville
     Daniel: even abc family
     u could write a show for abc family
     me: actually i love abc family
     Daniel: i bet they would pick up your asian girl show
     me: greek.... i wish i could do a show like greek!
     Daniel: rebeecca
      stop being crazy
     me: do you think they'll pick up my college show?
     Daniel: ok fine colelge
     me: i have a pilot that is like felicity + politics
    2:35 PM Daniel: REBECCA!
      gosh ur so dumb
      felicity + politics?
      whos your audience???
      middle aged lesbians?
     me: ummm, smart political young people?
      hahahaahahahahaha
     Daniel: REBECCA
      how many smart political young ppl are there
     me: who watch abc family?
     Daniel: you wont even sell that script let alone get a pilot made
      MIDDLE AMERICA
     write a pilot about teen angst
      u need to get the teens aboard
    2:37 PM me: it's so cliche!
     Daniel: REBECCA
     me: plus, that doesn't work: look at that model show with mischa barton that got cancelled right away
     Daniel: jeez you're so dumb!
     me: on the other hand, one tree hill still exists
     Daniel: who cares!
      it sold!
      dawson's creek was a big hit when it came out
      so was the OC
      they were huge
      write one about an asian girl
      asians are big right now
      think of all the plot lines
    2:38 PM parents dont approve of her white boyfriend
      he rides a motorcycle
      he drops out of high school
      but hes secretly really smart
      but doesnt believe in himself
     me: omg a monkey robot could write that!
     Daniel: she helps him
      shes conflicted because her parents dont like him
      she runs outside to him in the rain
      thats a nielson 3 right there
    2:39 PM me: man... maybe you should write it
      how do you know those nielsen terms?
    2:40 PM Daniel: rebecca i cant write it
      im not a writer like u
      im an idea man
      in the very first episode
      she just moved to texas
      or something
      from LA
      omg thats perfect
      and u can have LA flashbacks
      bring in asians
     me: that's like the opposite of 90210
     Daniel: that will bring in the asian demographic
    2:41 PM her hip LA life
      and then her life in texas
      senior year of high school
      and then her ex bf comes visit her
      and he fights her new bf
      who wears flannel
      and has a motorcycle
      like chad michael murray
      its perfect
      so many plotlines!
     me: aaaccckkk
     Daniel: she can be fashionable if u want
      she doesnt have to be geeky
    2:42 PM me: actually i had a very similar but opposite idea for a movie
     Daniel: and then end of 1st season
      she starts doing presecription drugs
      to study
      and her biker bf saves her
     me: like a satire of azn culture, these two asian twins move from wisconsin to california
     Daniel: and thats how the parents start begrudgingly liking him
      REBECCA
     me: NO JESSIE SPANO moments!
     Daniel: stop being such a hater
      ur such an azn hater
      stop trying to write satires of it
      and critiques
      and criticisms
      u want to make money
      and be a millionaire
      USE IT
    2:43 PM leverage it!
      dont try to marginalize it!
     you are lucky most azns are too dumb to have done this already
      its golden
      all u need is 1 pilot
     me: who's an azn hater now?
     Daniel: and a synopsis of what happens the first season
      and sell the script
     me: how do you know this stuff?
     Daniel: thats 3 years of your salary right there
    2:44 PM me: yeah, that would be nice... buy me some time...
     Daniel: serious
      just sell out first
    2:45 PM and then work on your "artistic" endeavors
      just write some trashy drivel
      just do it rebecca gosh
      ur 28
     me: ugh, i know
     Daniel: noones going to be talking about some 35 year old writer who just wrote some teenage script
      they want like that girl that wrote devil wears prada
      some young gun
      writing about her experiences
      your clock is ticking
    2:46 PM get with it
      jeez
      u live in new york
      how are you such a puddle of goo
      just think of a show that would be a guilty pleasure for you
      and think
      what would happen at the end of that show
      what would NEED to happen
      so that i am forced to watch next week
      and just write it!
      jeez
    2:47 PM fill it in with some cheesy dialogue
     me: you make it sound so do-able!
    2:48 PM Daniel: IT IS
      was the OC that special?
      i mean
      i seriously think i could have written that
     me: i don't know, i don't remember the pilot
     Daniel: who cares
      its like a copy of every other show
      dont try to write a veronica mars
      or a glee
      cuz you'll never finish
    2:49 PM write something that you can finish!
      jeez!
     me: okokok... but AFTER i sell out i can try to write a west wing!
     Daniel: ugh
      whatever
      ur so lame
      the lamest person in new york
    2:50 PM me: it keeps me humble!
     Daniel: whatever u lamer
      bye
      im getting lunch
     me: ok thanks for the "pep" talk

Friday, 14 August 2009

  • Currently
    Pinkerton
    By Weezer
    see related

    So I sniff and I lick your envelope and fall to little pieces

    Yesterday, while leaving work, I saw something that pushed my Judgmental button. It was a couple walking in front of me on the sidewalk. I couldn't see their faces, but from the back it was apparent that one of them was a young Asian woman, dressed casually like a college student, petite and thin with a simple chin-length bob. The other was a tall man in a gray suit. From the tone of his skin peeking out of the jacket, I surmised that he was Caucasian. His hair color was very odd -- the best way I can describe it is Trump-like, pale brown with spreading blotches of white, as if he was in the middle of a dye job and had lost interest and wandered off.

    Anyway, what really got me about this little scene was that the man had his hand on the crook of the woman's neck the entire time, from when I joined them in front of my building to the end of the block, where I crossed the street and they turned right. He even changed hands at one point, when pedestrian traffic going the other way forced him to move around to her other side. Now, you may have never seen this particular maneuver -- people in my family do it to each other on occasion, as a joke, and it is very annoying -- but done in sincerity it is disturbing with its faux affection and overtones of control. Seeing an older white man hold a young Asian woman by the back of the neck all the way down 50th Street actually alarmed me enough that I took out my earbuds just in case she was quietly squeaking "Help" to passersby. But at the corner he turned her around to face him (by the neck, again -- gah) and she threaded her tiny pale arms around his waist, and I turned away.

    Throw in the usual wigwaf sensitivity (although in this case you have a rare sighting of O'Wigwaf -- Old White Guy With Asian Fetish) and you have the perfect storm of Things that Make Rebecca a Bigot. This vignette was on my mind when I read this Marie Claire piece on Asian trophy wives:

    Tellingly, most current trophies of choice are far more than exotic arm candy. They are accomplished musicians and journalists, they have Ivy League MBAs and hail from prestigious political families (Mrs. Wasserstein's older sis is former Labor Secretary Elaine Chao). Why, then, are these women falling for rich white patriarchs? Why be a target for headline comparisons to concubines?

    Other, more adept writers have already picked to pieces this column, which reads like the kind of half-assed paper I would throw together for a cultural studies class the night before it was due. It's so haphazardly written that I find it hard to form a coherent response to it, other than, "Yes, there sure are a lot of Asian women married to older white moguls." And yes, the trend does creep me out for reasons I cannot entirely pinpoint, although if I'm honest with myself I'm sure it has something to do with competition and prejudice within one's own demographic (in this case, educated young Asian females). From the Marie Claire piece:

    While I'm sure that real love and affection is sometimes the bond in these culture-crossing May-December romances, could it be that power divorcés of a certain ilk make the perfect renegade suitors for these overachieving Asian good girls — an ultimate (yet lame) attempt at rebellion? Maybe these outsized, world-class moguls are stand-ins for emotionally repressed Asian dads (one cliché that is predominantly true). Or...are these women just glorified opportunists?

    Yeah, I'm too cynical (or pragmatic?) to believe that all of those bonds are predicated on True Love. I fully admit my prejudice when I say that my instinct is to go more with a combo of Lust (on the O'Wigwaf side) + Opportunism (for the Butterfly). I totally and utterly reject the rebellion suggestion -- way to perpetuate a stereotype, Ms. Ying Chu -- in fact, my mom often brings up Mr. Wendi Deng as the income bracket to which I should aspire (I think my dad just wants a homeboy from my grandparents' village, wherever that is).

    Perhaps inadvertently, the author exposes my own tendency to stereotype by race. I am way harsher on Julie Chen (who's had massive plastic surgery, btw -- that's a whole other area of my prejudice) and Wendi Deng than on white women of similar pedigree who marry white tycoons. And that's unfair, because it's not like Chen and Deng arrived on a boat no speakee English. There's no reason to believe they are any less Americanized than I am, and, frankly, it's insulting to them to call into suspicion their ability to relate to their husbands on an equal level. I'm not saying that Ying Chu is the only one who's thought this, but it is really offensive to call Chen, Deng, and most of the other Asian wives and girlfriends she cites in her piece "trophies" and "comparisons to concubines" just because of their significant others. In fact, why is any woman a trophy just because she is with a successful man, especially when she herself is considerably accomplished?

    (Gee, who would've thought a poorly-considered Marie Claire trends piece would help me to become a more fair and balanced person?)

    I have friends who are in White Guy-Asian Girl couples. They all know and bemoan the wigwaf archetype. It's tough for them, because if you didn't know them personally, and you didn't know that their relationships consist of so much more than "I spent a year in Japan teaching English," then what's stopping you from seeing them on the street and making all the assumptions we've made before? Nothing. We've all done it. My friends in the aforementioned White Dude-Asian Chick combos do it all the time, perhaps because they are self-conscious about perpetuating the stereotype.

    I'm self conscious about it, too. If I date a white guy, will people see me as a fetish object? Will he? Then again, if I date an Asian guy, am I just another guai-guai/Sanrio-loving/"tee hee" girl (my Asian girls know what I'm talking about)? Perhaps the problem is the fear of being identified merely as a girlfriend archetype and losing my sense of individuality.

    Racialicious' Latoya Peterson, guest-blogging at Jezebel, poses some interesting questions that my friends and I have discussed before:

    Is a white man dating Asian woman acting out a fetish?

    Is an Asian woman dating a white man acting out a fetish?

    If two people mutually fetishize each other, does that make it okay?

    Vickie Chang, in a nuanced 2006 Village Voice story on "Asiaphilia," gives a good example:

    I was the 10-year-old girl swooning and singing along with Rivers Cuomo over the three-chord riffs of Weezer's "El Scorcho," that song about half-Japanese girls that do it to him every time. Oblivious to its implications, I was pleased that the man in the Buddy Holly glasses had a penchant for Asian girls because, you know, that way I actually had a chance.

    Asian brothers have bemoaned for a long time the stereotype/fact that Asian girls prefer every race but their own. Discounting all of the valid, substantive reasons people of any racial combination get together, I think there is some truth to the preference, and it has something to do with the unfair emasculation of Asian men in American culture (here's a tip: girls like their men sensitive, but not more than they are. If you don't know where that line is drawn, watch (500) Days of Summer. If you are as moony as Tom, then even looking like Joseph Gordon-Levitt isn't going to help you get the girl).

    In the end, it's hard to explore completely your motives, and his motives, for why the two of you are together. It's impossible to control whatever conclusions other people reach about it. Every relationship, regardless of race, gender, income, education or any other demographic category, is based on a unique alchemy of physical attraction, compatibility of interests and the absolutely undefinable chemistry of personality.

    But I'll tell you one thing that's easy to spot: a wigwaf. I'd hazard a guess that every Asian girl has encountered at least one at some point in her life. Since my blog is public, I won't add my own testimony (you can ask me about it sometime), but it hews pretty closely to the following illustrations. From Chang's Village Voice piece:

    But as Christina, who's Filipino American, stood listening to the music, a full Amstel Light in one hand, she was approached by a thirtysomething white man in a collared shirt, the top tactically unbuttoned to show off a gold chain that made him look like something out of South Beach. He put another full Amstel in Tina's other hand. She smiled and thanked him.

    Then he looked at the rest of us, all Asian.

    "You're by far the most attractive women in here," he said. He pulled out his wallet and asked if we'd like drinks. "I really shouldn't be doing this," he said. "I just bought a house on the golf course."

    We declined.

    "You know, I just got back from Bangkok," he went on. "The women in Thailand are all gorgeous. You're all gorgeous! It's just that whole area."

    That whole area? Bangkok? Thailand in general? Southeast Asia? The greater Asian continent?

    Jen at Disgrasian, in rebuttal to Marie Claire's assertion that "Asian women are not only submissive Suzie Wongs and geishas, we're also fucking brain-dead, too" (Disgrasian's paraphrase), writes:

    The complications of sexual politics notwithstanding, fetishists are easy to spot. They come at you with their prayer-bead bracelets and their suspiciously in-depth knowledge of your "culture." They come with transparent dating histories, and many of them are more than happy to offer up that their last eight girlfriends have been Asian and unabashedly expound--based on their dating experience alone--on the fundamental difference between, say, Korean women and Chinese women. Fetishists tend to talk about you like you're only a member of a larger group; e.g. instead of saying, "I really like your shiny hair," they'll say, "I really like Asian girls' hair." And, frankly, they're creepy, like noticeably-remarkably-right-off-the-bat-creepy, like konichiwa-ni hao ma-what are you?-as-an-opening-line creepy, and stalk-you-on-Facebook-where-they-have-381-friends-who-all-happen-to-be-Asian-women-creepy, and follow-you-to-your-car-in-a-parking-garage-after-you've-shared-two-minutes-riding-an-elevator-together-creepy. It's not rocket science, people.

    Seriously. And I'd add that we don't just have wigwaf-dar, we (and by "we" I now mean women in general) have creepazoid-dar. Don't think we can't tell.

Thursday, 04 June 2009

  • Currently
    The Long Fall Back to Earth
    By Jars of Clay
    see related

    Music is my hot, hot -- well, as close as I get

    So many new albums from some of my favorite bands, so little time. Instead of going into detail now, here are 30-second opening track snippets from what I'm currently excited about:



    Jars of Clay
    - The Long Fall Back to Earth - released April 21

    </div></div>
    The Long Fall - Jars Of Clay</div>



    White Rabbits - It's Frightening - released May 19

    </div></div>
    Percussion Gun - White Rabbits</div>



    VAST - Me and You - released May 26

    </div></div>
    You Should Have Known I'd Leave - VAST</div>



    Our Lady Peace - Burn Burn - to be released July 21

    </div></div>
    All You Did Was Save My Life - Our Lady Peace</div>



    Mew - No more stories
    Are told today
    I'm sorry
    They washed away

    No more stories
    The world is grey
    I'm tired
    Let's wash away
    - to be released August 25

    </div></div>
    Introducing Palace Players - Mew</div>



    In related news, I'm still looking for a better way to blog embedded media. I finally realized JavaScript and Flash are flat-out prohibited on LJ, so now I'm thinking that I might have to make a separate music blog elsewhere. A long time ago I set up Questionably Awesome over on Blogger but did nothing with it. I'll try to experiment on it, but for now you can find an imeem playlist featuring 30-second excerpts of all the tracks on the new Jars album. I heard Tumblr is a good place for embedding media, so I just got one, but I don't know how to use it yet.

    I am also still obsessed with maybe getting a Twitter. Would that make me a douche? I still remember that my initial reaction to Twitter when it came out like a year ago was horror and disgust, but maybe it's one of those trends that grows on you by virtue of its ubiquity, like boots over skinny jeans (a look I initially hated but am now guilty of). It's just that composing full blog posts is so exhausting for me because I have OCD. I like the idea of having a record of the random thoughts I have and things I do during the day.



    I finally finished (the first draft of) Act I of W.W.J.D. It's not perfect, but I'm pretty pleased with what I have so far. Click the jump for another excerpt.

    Six months, five hours and 47 minutes

Friday, 10 April 2009

  • Currently
    Futures
    By Jimmy Eat World
    see related

    Good Friday

    When he was accused by the chief priests and the elders, he gave no answer. Then Pilate asked him, "Don't you hear the testimony they are bringing against you?" But Jesus made no reply, not even to a single charge—to the great amazement of the governor.

    "What shall I do, then, with Jesus who is called Christ?" Pilate asked.
          They all answered, "Crucify him!"

    "Why? What crime has he committed?" asked Pilate.
          But they shouted all the louder, "Crucify him!"

    Then the governor's soldiers took Jesus into the Praetorium and gathered the whole company of soldiers around him. They stripped him and put a scarlet robe on him, and then twisted together a crown of thorns and set it on his head. They put a staff in his right hand and knelt in front of him and mocked him. "Hail, king of the Jews!" they said. They spit on him, and took the staff and struck him on the head again and again. After they had mocked him, they took off the robe and put his own clothes on him. Then they led him away to crucify him.

    They came to a place called Golgotha (which means The Place of the Skull). There they offered Jesus wine to drink, mixed with gall; but after tasting it, he refused to drink it. When they had crucified him, they divided up his clothes by casting lots. And sitting down, they kept watch over him there. Above his head they placed the written charge against him: THIS IS JESUS, THE KING OF THE JEWS. Two robbers were crucified with him, one on his right and one on his left. Those who passed by hurled insults at him, shaking their heads and saying, "You who are going to destroy the temple and build it in three days, save yourself! Come down from the cross, if you are the Son of God!"

    In the same way the chief priests, the teachers of the law and the elders mocked him. "He saved others," they said, "but he can't save himself! He's the King of Israel! Let him come down now from the cross, and we will believe in him. He trusts in God. Let God rescue him now if he wants him, for he said, 'I am the Son of God.' " In the same way the robbers who were crucified with him also heaped insults on him.

    From the sixth hour until the ninth hour darkness came over all the land. About the ninth hour Jesus cried out in a loud voice, "Eloi, Eloi, lama sabachthani?"—which means, "My God, my God, why have you forsaken me?"

    And when Jesus had cried out again in a loud voice, he gave up his spirit.

    -excerpted from Matthew 27


    Rembrandt's The Three Crosses, 1653, third state


    Today I woke up and thought about my job, what I watched on TV this week, what I'm going to do tomorrow. Nothing wrong with that, but today is the day chosen as the anniversary of Jesus Christ's death. It looks so oddly normal for such a momentous day of remembrance -- maybe a little quieter here in midtown for those who took time off to attend a Good Friday service.

    I'm looking outside my office window, 32 floors above West 51st Street, and I'm thinking about how two thousand years ago (give or take a few years), it was late afternoon in Jerusalem and Jesus had spent the night in a Roman prison for crimes he did not and would never commit. That morning he had appeared in what can generously be called a kangaroo court, and around this time of day he had gone through so many rounds of mockery and beatings that I wonder if his ears had grown desensitized to the vitriol and his skin numb to the barbs by now.

    The Bible reports that Jesus stayed mostly silent and unresponsive during the worst and last day of his life. As a child I assumed it was holy piety that helped him maintain his dignity; now I wonder if it was his mind and body simply shutting down to protect itself from what was happening to it.

    It's said that when you're about to die, your life flashes before your eyes. I wonder, during Jesus' final agonizing hours, whether not just his own life, but the lives of all humanity, drifted through his mind. Did he focus on the angry faces and voices immediately surrounding him? Could he picture the future, a landscape dotted by manmade structures taller than the tallest tree, filled with corporate con men who'd make the tax collectors of his day look like petty thieves, terrorists whose power over the global psyche could scarcely be imagined, and murderers and molesters committing all sorts of atrocities while wearing holy symbols? And people like me, who claim to be his but spend more time thinking about anything and everything else, like a kid who forgets her parent's birthday? Knowing all of this, the prolonged antipathy and apathy toward his sacrifice two millennia later, what would he think?

    Father, forgive them, for they know not what they do.


    He thought, It is all worth it.

    They are all worth it.

Thursday, 09 April 2009

  • Currently
    Mad World
    By Michael Andrews, Gary Jules
    see related

    And I feel the way that every child should

    We interrupt our regularly scheduled screenwriting update for this message: Folks, I have finally hopped on that ultimate pop culture bandwagon.

    I have started watching American Idol. Since this show is pretty much inescapable anyway*, I've been trying to get into it for maybe two seasons now, but I've usually found it too cheesy and cheap and curiously out-of-touch. It got a little better last year when they finally let contestants play their own instruments, which helped them to seem more like legitimate musicians and also somewhat mitigated the karaoke effect. I've sought out clips of songs I like or performances I've heard were considered to be among the series' best. For the most part, though, 524 seasons of American Idol have just produced the same tired covers of the same tired Baby Boomer generation songs the young contestants should have no business even knowing. I definitely gravitated toward the weirdo contestants, the ones who were memorable enough, visually and musically, to stand out from the 1,352,395 contenders or so who have crossed the stage. 

    *Exhibit A: Despite never having watched any prior seasons, I could probably name the winners in order. There are certain cultural phenomena you just can't escape, even if you've never actually partaken of them. See: everyone who's ever died on Lost, which characters were Cylons on Battlestar Galactica and first and last names of every vapid frenemy and bro on The Hills

    I wanted to get into American Idol to see what the fuss was all about. It has (accidentally, I believe) managed to produce a few actual credible artists who are now known more for their artistic accomplishments since Idol than just where they got their big break. Most of the contestants' fame fades faster than a Bachelor relationship, but just in case the show ever gets lucky again, I want in on the ground floor, before the zeitgeist starts rolling.
     
    You guys, I think they got lucky.



    Stay with me here. It took me a second listen to get on board with this crazy rendition, too. But give it another shot, and think Velvet Goldmine. Think Elvis on The Ed Sullivan Show. Seriously—I think that last comparison is apt in more ways than one. You have some newcomer on one of the country's most popular television shows delivering an outrageous performance that some might find distasteful. But on the other hand, I think the talent is undeniable. The vocal control is impeccable, the showmanship perfectly on point.

    Mark these words. Whether Adam Lambert wins American Idol or not, this is pop cultural history in the making.

rebeccasun

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    • Name: Rebecca
    • Birthday: 10/23/1981
    • Gender: Female
    • Member Since: 4/25/2003

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